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Specifications |
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Brand | Strymon | ||
Category | Reverb & Delay Pedals | ||
Pedal Type: | Delay, | ||
Analog/Digital: | Digital, | ||
Max Delay Time: | 40ms-5sec, | ||
Inputs: | 1 x 1/4" (switchable to TRS stereo), | ||
Outputs: | 2 x 1/4" stereo, | ||
Other I/O: | 1 x 1/4" (expression), | ||
True Bypass: | Yes, switchable to Buffered, | ||
Power Source: | 9V DC power supply (included), | ||
Manufacturer Part Number: | Z12A-5KDL, |
Strymons sleeper
Fantastic. I have the DIG and love it but this is more my style of delay. PERFECT for leads. I don't know why this pedal is marketed more. Hidden GEM.
Fantastic Delay
I have had several Strymon products & sold many but the delay I always come back to is the Brigadier. It is my go to delay for everything. I'm keeping this one!!! Nough said!
Delay at its best in old school format
I have a few other Strymon pedals and I plan on getting more. I first started with the DIG delay which is quite impressive dual delay. Recently I bought a new amp and wanted something different in terms of delay that would have a decay of the repeated signal. The Brigadier was one of interest and decided to get it. I am overjoyed with it for soloing. The bucket loss feature is… read more what drew me into it. Brings back some old school technology but modeled in DSP. This is exactly what I was looking for. I have yet to explore all of the features of this pedal but I am really impressed with this product. Strymon build quality is the best I have yet to encounter. Very rugged and durable. I had spent some time comparing this to the DIG. Running both in the FX loop of a Mesa JP-2C. Brigadier sounded better at the end of the FX chain when used with the DIG. Definitely a worthy delay pedal to consider. Note: have used it with Mesa: JP-2C, Mark V, Roadster and RA100. I have also used Strymon pedals with great results with a Tascam multichannel recorder using the FXloop send to add depth to recorded tracks. One of a few brands of guitar effects that are compatible with instrument and line level signals.
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